Kryptox @ Olympiastadion, München

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Im Rahmen der Sommerbühne im Stadion im Olympiastadion in München können zwei der jungen Projekte von Kryptox live erlebt werden!

Das Duo Keope verbindet elektronische Drums mit wilden Gitarren und treibenden Grooves. Die beiden haben vor kurzem auf Âmes neuem Label „Bigamo“ ihr Album veröffentlicht und sind auf der Kryptox Compilation „Kraut Jazz Futurism“ vertreten. DJ Dixon hat erst kürzlich ein Stück von Keope geremixt, was dem Duo große Aufmerksamkeit in der elektronischen Musikwelt beschert hat.

Außerdem spielt Ralph Heidel. Der Saxofonist, Komponist und Bandleader hat in München Jazz studiert und gleich darauf bei Kryptox sein Debutalbum „Moments in Resonance“ veröffentlicht. Elegische, verträumte Musik die Elektronik mit Streichern, Sax und Drums kombiniert. Inspiriert von Olafur Arnalds, Gorecki, John Zorn und Nils Frahm. Der Rapper Tarek von K.I.Z. war so begeistert von Heidels Werk, dass er ihn verpflichtete eine symphonische Version seines Debüt Albums einzuspielen.
Heidel spielt ein Konzert mit seinem neuen Quartett. Schlagzeug, Bass u.a. wird mit sequenzerartigen Synthesizer Grooves kombiniert. Es wird sehr cineastisch und soundtrackmäßig. Eine Musik, die in der absurden Situation des Olympiastadions sicher eine ganz surreale Wirkung entfalten könnte.

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Niklas Wandt – Erdtöne (Single)

After he hit their sweet spot with a little 3/4 psychedelia on the ‘Kraut Jazz Futurism’ compilation, new Berlin based imprint Kryptox (yes, that new label dedicated to new jazz electronica phenomenas from the uprising German scene) do the sensible thing and tie down nomadic percussionist Niklas Wandt for his first ever solo EP. Anyone with a dancing shoe dipped in the underground will recognize the dungareed Berliner from collaborative outings with Bufi-body popper Wolf Muller, synth shaman Sascha Funke or his NDW dream team Neuzeitliche Bodenbeläge (whose funky bassman Timo Hein helps out here), and now he’s rolling (mostly) solo with four tracks of far out head music. Largely built around improvised drum jams recorded in Wandt’s rehearsal space in Berlin, the sounds on the EP mutated and matured before assuming their final form under the mix.

Stream / Download / Vinyl

Niklas Wandt – Luftkraft (Aiforce Wandt) – Redux (Single)

New Song on new Berlin Jazz-Kraut-Electronica Label Kryptox / K7!. Sublabel of Gomma / Toy Tonics. “Luftkraft (Airforce Wandt)” Redux is taken from Niklas Wandt’s upcoming EP “Erdtöne”. A 4 minute neo- jazz-funk track with lot of drive, but no jazz solos. For people who like Kamaal Williams or Four Tet.
Niklas Wandt is a producer coming from the “Salon des Amateurs” universe. He released an albums with Jan Schulte aka Bufiman and is part of the new band Neuzeitliche Bodenbeläge.

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VA – Kraut Jazz Futurism (Compilation)

We made this compilation because we see a lot of great new music in Germany that is inspired by psychadelic and „kraut” heritage, jazz and electronica. We show songs of 17 young german artists that we think are doing great, new, hard to describe, music.

Review: The Wire Magazine (December 2019 Issue 430) by Neil Kulkarni

The majority of the tracks on this compilation were composed exclusively for this release or have only seen a limited release via the artists’ own channels. A few have already been released in 2018/19 on small labels.

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Kryptox Showcase @ Überjazz Festival 2019, Hamburg

Next weekend double concert at ÜBERJAZZ Festival Hamburg! Our Kryptox label will release a compilation presenting the hottest German jazz crossover musicians. Hamburg’s ÜBERJAZZ Festival & Kampnagel invited us to present the 8 most interesting bands on a doubleshowcase on 1 weekend. Come over! #krautjazzfuturism

Tickets: here

Facebook event

FR, 1.11.2019
Shake Stew
JJ Whitefield
Niklas Wandt & Cass.
Sissi Rada

SA, 2.11.2019
Karl Hector & the Malcouns
Ralph Heidel II Homo Ludens
Max Graef pres. 2MORPH

Keope – A Night In Bacalar (Single)

Keope are one of the new German bands of the rising Berlin jazz-kraut scene that is starting to become a phenomenon. They are the main band on Bigamo records. The new label of Frank Wiedemann of Âme/ Innervisions.
Keope produced this new track as a special contribution pre-single for “Kraut Jazz Futurism” – an upcoming collection of new german Neo-Jazz bands to be released on Kryptox records in november. This track is previously not released. Atmospheric very light and kraut influenced chill out music.
Kryptox is that new Gomma & Toy Tonics records sublabel dedicated to the new German Neo Jazz scene.
The compilation will be released accompanied by a big UK, US and German press campaign and collaborations with XJazz Festival Berlin and Überjazz festival Hamburg.

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Karaba – Der Inder (Single)

Kryptox is the new Berlin label that is dedicated 100% to the new German Neo-Jazz universe. A response to the new UK and US jazz scenes. Like a German version of Brainfeeder and Brownswood records.
This new single by KARABA is a pre-single to the compilation “Kraut Jazz Futurism”. A collection of new German bands that Kryptox will release in november.
Karaba are one of these new young German bands that combine psychedelic Jazz with Krautrock and Afrobeat. Like many of the new German crossover Jazz artists also these kids have been raised with three things: electronic dance music, playing real instruments and knowing all kind of „old“ music through the internet.
Now they combine all this in a new, fresh unpretentious and non academic way.
The KrautJazz Futurism compilation will be released accompaigned by a big UK, US and German press campaign and showcase collaborations with XJazz Festival Berlin and Überjazz festival Hamburg.

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Karl Hector & The Malcouns – Orange Man (Single)

First single from the upcoming compilation “KRAUT JAZZ FUTURISM” that portraits the new Berlin “Neo-Jazz” scene.
Karl Hector & The Malcouns, founded by JJ Whitefield (Stones Throw, Now Again, Daptone, Ninja Tune), lead the way with the exclusive track “Orange Man”. An ethno-kraut-jazz-funkmasterpiece.
This band is part of a new German wave. After the UK jazz and US jazz hype it’s time for the german jazz revolution. But while the new US & UK jazz is more influenced by hip hop and R&B, the young German jazz musicians are rooted in Krautrock and electronic music. 

This upcoming KRYPTOX compilation shows that Berlin is not a techno city anymore. There are many jazz musicians, new hot live clubs and festivals. The compilation release will coincide with Kryptox stage takeovers at Uberjazz festival Hamburg and XJazz Berlin. Full PR campaigns in Germany, US and UK.

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JJ Whitefield – Brother All Alone (Album)

Vinyl / Stream / Download

German guitarist, bandleader and producer JJ Whitefield has been spearheading several musical sub-genres over the last two decades. His bands Poets of Rhythm, Whitefield Brothers and Karl Hector & The Malcouns are almost legendary to fans worldwide. He has been releasing influencial albums on Ninja Tune, Mo‘Wax, DaptoneStrut, Stones Throw and Now-Again and is probably one of the most respected German undergound musicians.

Now he is reaching new levels of nastiness with his Kraut-Jazz debut for Kryptox music. The new german label that has been created to show what´s happening in the growing german Neo-Jazz underground. A label collaboration between Gomma and K7 Records 

Brother all alone“ is Whitefield´s first album under his own name. Recorded in Berlin, Munich and Nairobi with some of the most interesting heads of the German Neo-Jazz-Kraut scene and mixed by Malcolm Catto of The Heliocentrics.

Whitefield is an innovator in the experimental kraut, deep funk, neo jazz scene. An obsessed record collector since his teenage years, Whitefield´s productions aim for a timeless quality and are often regarded on par with the classics they´re influenced by.

In the 1990’s he paved the way for the retro funk revival as mastermind of the Poets Of Rhythm. A band he started while still in school. The group begun with selfreleased 7“ vinyl singles, made on a 4-track tape recorder in his moms basement, and ended up with a album deal on Ninja Tune (and people like DJ Shadow, Coldcut, Mark Ronson and Gilles Peterson beeing massive fans.)

These „Poets of Rhythm” – records later served as main influence for the Daptone crew. The New York band that became Amy Winehouse backingband on her breakthrough album Back In Black. ( And btw: These early Poets- vinyls are highly sought after collectors items now, trading hands for hundreds of dollars…in case you own some.)

After the early Poets of Rhythm sucess JJ Whitefield moved to the States to learn more about beat making and black music culture. He connected with the New York and Bay Area Jazz and Hip Hop scene and that resulted in productions for american artists. Among that also own albums on Stones Throw and Now Again with his bands Whitefield Brothers and Karl Hector (Afro Funk) and Rodinia (Kraut Experiments).

After beeing obsessed with Funk, Jazz and Hip Hop Whitefield later started to widen his  interests in west african and ethiopian music. Record collecting and production. This passion culminated of him beeingan  integral part in re- launching the career of ghanaian afro funk legend Ebo Taylor and recording Taylor’s two albums for Strut Records.

His passion for african music brought him also to work with Jagari Chanda of zambian rock legends the W.I.T.C.H. since 2010. 

Now, back in Germany, JJ Whitefiled culminates all these experiences on his album Brother All Alone.

melting pot of styles and influences, drawing from Kraut, Jazz, Ambient and world music heritages. His new band consists of  some of the most intersting talents of the new German Jazz & Kraut scene:

Johannes SchleiermacherBernd Oezsevim,and Maasl Maier (Karaba, Embryo), with guest appearances from Sam DavidsCharif Megarbane and Marja Burchard

The band recorded ten of Whitefield’s compositions. The album starts with two quite calm songs:

Seven Seas in 7/8 rhythm and 14/08: a symmetrical rhythm of a 3/ 3/ 2/ 3/ 3 beat, which makes a total of fourteen 8th notes. Then Zone 30 takes overan improvisation with a very slow tempo that opens of for White Queen. The tribute song for Whitefield’s daughter Lilly. Whitefield says: “As a kid I always chose black in chess. Now playing with my daughter, she has first dips on color and always chooses black. So I’m stuck with the: White Queen.“ 

Besides collecting vinyl from Africa, Germany and the US Whitefield also since ever has been intersted in exotic library records: Chilli Chicken can be seen as an tribute to this scene. This track gets followed by two other tribute compositions: Metrosex – tribute to German Jazz legend Gunter Hampel and Rubikon: a homage to one of the funkiest bands ever with a jazzy prog filter. Also Yellow Sari could remind certain vibes from more trippy exotic library sounds . The follow up song Dreckstück then creates a slightly different atmopshere: Its a complex 39/16 rhythm. A punky Jazz track that made the Whitefield band almost start a rebellion against his leader while reharsaling it because of it’s extrem complexity. The album closes with the beautiful Nirguna: an ambient indian drone experiment.